Sync Weekly

Archive for the ‘Local films’ Category

A grave film

Monday, March 1st, 2010

Hop Litzwire

Hop Litzwire in his home studio talking about his work as a musician and filmmaker. Photo by Spencer Jansen.

If you picked up last week’s issue, you may have seen that I had a chance to sit down with musician and filmmaker Hop Litzwire, a super nice guy who welcomed me into his awesome home office/studio to chat about his life and times. Those discussions included talk of his documentary Silent Storytellers, which is about the importance of preserving cemeteries. From the footage I saw, it looks absolutely beautiful. I plan to see the whole thing this weekend at the public premier:

What: Silent Storytellers
When: 6 p.m. Friday, March 5
Where: Clinton School of Public Service
Admission: Free*
*Reserve a seat by emailing publicprograms@clintonschool.uasys.edu or calling 501.683.5239

If you can’t make it Friday, tune into AETN for the broadcast premier at 6:30 p.m. Thursday, March 11. Here’s an AETN interview Litzwire about the doc:

Music and a movie

Friday, January 15th, 2010

“Storage” writer/director Austin Franke

“Storage” writer/director Austin Franke

If you’re in Conway this weekend or downtown Little Rock next week, consider stopping by the Bear’s Den or On the Rocks to help support a local film.

Organized by writer/director Austin Franke, an undergrad film student at UCA, parties at both locations will feature live music, with proceeds from the cover charges being donated to help with production costs of Storage, a project that will be shot this semester.

The Conway gig will be on Saturday, Jan. 16, at 7 p.m. and will feature performances by Natural State, Chase Pagan, Townsend and Don’t Stop Please. The On the Rocks show will be Wednesday, Jan. 20, at 9 p.m. and will feature Natural State, Apartment 5, This Holy House and Sean Michel.

Both shows should be around $5 cover, according to Franke, who hosts a radio show about local music called “Under the Radar” on 91.3 The Bear. Franke said knowing the bands through his show, he approached them, himself, to ask they’d be willing to do the pro bono gig to help the cinematic production and all agreed.

The movie itself, which will be shot, edited and go through post-production this semester, is about a divorced couple rummaging through their son’s things in an attic. Despite the current distance between them, particularly from the frosty, remarried female half of the pair, the assorted junk sparks memories of their time together, including both being part of a band in the early 1980s.

The money raised from the shows, said Franke, will help pay for things like costumes – some 40-50 period ’80s outfits were mentioned – as well as funds to pay festival fees when the film is finished.

See also the Facebook page for the Conway event.

See it Sunday (or before)

Monday, December 7th, 2009
Kick me

Kick me

If you’ve picked up Sync this week, you’ve seen I had a chance to chat with Jason Gammel, a kickballer who, along with friend Kenny Reynolds, just finished a documentary called “See ya Sunday” about the Little Rock Kickball Association and his team’s first season as a part of it.
(The film premiers this weekend at Market Street Cinema; see the article or the LRKA website for details on show times.)
Toward the end of that conversation, I asked if I could check out the movie early for this blog, and while Gammel didn’t have a DVD screener handy, he did invite me to his North Little Rock studio to watch the final cut of the film on his computer, an offer I gladly accepted. I figured it would be like watching one of those special edition DVDs with directors’ commentary, only in this case they’d actually be in the room.
Well, it didn’t turn out quite like that. In fact, nobody said a word until after the film was over. But it was a great time nonetheless, and I count myself privileged to be the first person other than the filmmakers to see the finished work.
And about that work: If you’re one to think of documentaries as super serious endeavors that have to either deal with topics of the utmost stuffiness or be narrated by a man whose voice put you to sleep back in high school history class, well then think again.
This film is funny.
Sometimes the comedy is simply in enjoying the outrageous images on screen: a remote controlled car delivering drinks to players on the field or a player dressed as Jesus (with jersey on over his robe).
Other times, it’s thanks to the directors’ clever mix of interview and image, as when you hear a person saying a newcomer who knows nothing about LRKA could get the wrong impression as you see a man lifting up his shirt to bare a hairy chest and rub his nipples.
Then there’s footage of Gammel, himself, completely whiffing on a ball he’s promised to kick the you-know-what out of instead of bunt. That one almost got cut, he tells me afterward.
It’s not the only footage of Gammel in the movie, though, as he is a frequent interview subject throughout. Indeed, he told me after watching that there’s more of him in it than he realized. While that could come across to some as self indulgent, it seems to me to be more out of necessity. Half the focus of the film is about how his team, the Atomic Catsicles, joined the league, and telling that story without him being a part of it seems a tall order.
That story leads to a little confusion, though, because while most of the film follows their path through the spring 2007 season chronologically, some of the interviews, which were conducted after the season was over, reference the success the team has had “before” they actually have it.
Still, “See ya Sunday” is enough to keep a smile on your face for the better part of 60 minutes, even if it’s not all laughs. The founding of the league in particular is a story more poignant than playful.
For those who don’t know about that story or how the league operates or the good work it does, the film should prove informative. For those who do but aren’t part of the LRKA (like me), it’s still amusing. And for kickballers, well, it should go without saying that the film is a must see.

Ready to soar

Thursday, June 11th, 2009

Forgive me, audience, for I have sinned. It’s been too dang long since my last posting.

luke-dan_sign

Enoch (Luke Grimes) and "Wheels" (Dan McCabe) share an orange during a scene in War Eagle, Arkansas. The film will have its Little Rock theatrical release Friday at the Rave.

This week’s important in the world of Arkansas filmmaking, though, as it marks the release of War Eagle, Arkansas to theaters in this state and Memphis (and eventually beyond).

Graham Gordy, who penned the film’s screenplay, said it well when he told me, “If everybody in Arkansas hasn’t heard about this film yet, it’s [not for] lack of trying.”

War Eagle, Arkansas first popped up on my radar several years ago when I heard through various filmmaking friends that a feature was being shot in Arkansas. There was some initial buzz before production started, and then I lost track of its progress until I heard in early 2008 that it would premiere during that year’s Little Rock Film Festival. I snagged a screener copy, a little hesitant as to what I’d see. (more…)