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Posts Tagged ‘Market Street Cinema’

Festival Fantastique

Friday, June 11th, 2010

Tis a sad day, for the Little Rock Film Festival is now a year away, and I didn’t get to see nearly as much of this year’s incarnation as I’d hoped. I did, however, get the honor of meeting and introducing Carol Dysinger, the filmmaker behind a wonderful documentary called Camp Victory: Afghanistan. From the website:

“Camp Victory, Afghanistan is a verité documentary that tells the story of several U.S. National Guardsmen stationed in Herat, Afghanistan and the Afghan officers assigned as their mentees. These Americans along with a band of Afghans have been given the enormous task of building the 207th Corps of the nascent Afghan National Army into an institution capable of providing security, stability, peace and justice to a tattered, volatile nation.”

Dysinger said in the Q&A following the Thursday showing that her goal was to bring back what she saw over there and show it to people – a good, clean honest look. In turns it’s funny, sad and scary. Above all, it’s poignant. And it’s definitely worth seeing. Dysinger said she’ll continue to make the festival rounds and plans to sell DVDs of the movie through the website later this year. Stay tuned.

In other festival news, my friend and colleague Jeff LeMaster had a chance to sit down and talk to some folks involved with a project they’re hoping to get off the ground called Arkansas Traveler. It’s too late to get to the teaser screening, but I’m fascinated by the plot and hope to see this film get made.

Lastly, I got the email below this week from the festival’s Levi Agee and wanted to pass it on. I recognize the short notice, and that’s my bad for not being quicker about an update. Story of my life.

Friends,

We’re doing auditions this Saturday for a Southern Comedy entitled “Cotton County Boys” that has a great script and a big heart. It’s kind of a throwback to old fun comedies. Just think Buttercream Gang meets Jackass. My friend and colleague Collin Buchanan is directing it, he’s won ton of awards for his docs and shorts in Conway and screened at Hot Springs and at a Filmmaking Professor Convention in Colorado recently. We shoot in July and August and are auditioning this Saturday. If you know anyone funny with a lot of time on their hands and can act and look like some good Southern folk please send them our way. Please put this on facebook, twitter, myspace, hollywood.com? Just get the word out because the film will be special like me. Here is the details on the film and the audition:

Southern Comedy Film – Open Casting Call
June 12th 2:00 – 6:00PM
The Public Theatre – Little Rock
616 Center Street Little Rock, AR 72201

Inquiries: email kwadfilms@gmail.com or call (479) 871-0801
This is a non-SAG shoot.

Title: COTTON COUNTY BOYS
Producer: Allison Hogue
Production Company: KWAD Films
Director: Collin Buchanan
Exec. Producers: Levi Agee, Collin Buchanan
Dir. of Photography: Jonathan Childs

SHOOTING DATES: mid to late July and August 2010
Paid meals, gas/transportation and film credit

GENRE: Southern comedy
SYNOPSIS: Three simple-minded brothers enter an “America’s Funniest Home Videos”-style game show in an attempt to win the money to save their mother’s house from foreclosure.

FEATURED ROLES:
- BOBBY (MALE, 20s) – Shy and soft-spoken, but warm and intelligent
- SAMUEL (MALE, 20s) – Dimwitted and somewhat irritable, mostly good-natured
- HATTIE (FEMALE, 20s) – Sweet and compassionate love interest of BOBBY
- BETTES (FEMALE, 40s or 50s) – Good Southern woman with a powerful presence, mother to BOBBY and SAMUEL
- MERLE (MALE, 60s) – A man of few words, deceptively wise, boyfriend of BETTES

EXTRAS
Other smaller roles and Extra parts available.

If you are unable to attend one of our auditions, email your photo, resume, and contact information to: kwadfilms@gmail.com

From Sweden with love

Friday, May 14th, 2010

Dragon poster.

Not creepy at all.

There is a compelling story and certainly a visceral edge to director Niels Arden Oplev’s Swedish film The Girl with the Dragon Tattoo, which opens today at Market Street Cinema, but ultimately the ending proves mildly unsatisfying.
Still, it is a film that has won some acclaim, including the Swedish Oscars for Best Picture and Best Actress along with the Audience Awards at the Swedish Oscars and the Palm Springs International Film Festival. The movie is based on a novel of the same name by the late Stieg Larsson.
Set in Sweden and spoken in Swedish, the subtitled mystery begins with the libel conviction of discredited journalist Mikael Blomkvist (Michael Nyqvist). Apparently in Sweden this kind of white collar crime nets you a few months to think about your bad deeds before going to serve your sentence (and a cozy, Internet-wired solo cell complete with laptop to do it in).
So with this kind of “jail” hanging over his head, Blomkvist gets a call from Henrik Vanger, head of the Vanger Group, a company run by a very powerful, very dysfunctional, very wealthy family who lives on a remote island somewhere north of the Arctic Circle, I think.

Vanger family

The Vangers are the Ewings of Sweden.

Anyway, Henrik is troubled by a 40-year-old mystery, the disappearance of his favorite niece. It happened while the whole clan was on the island for a board meeting back in the ’60s, and naturally he suspects one of them did it. But after so long, he has little hope of seeing resolution before he dies. He reveals that this niece once gave him a framed picture of a flower on his birthday, starting an annual tradition. After she disappeared, he kept getting the pictures — in the mail – from her killer.

Hiring

“Pretty sick, huh?”

Of course, Henrik’s reasons for picking Blomkvist are based on more than just his career. Harriet, it turns out, was the journalist’s babysitter when he was a young lad. Still, not prone to leave the mystery in the hands of anyone, Henrik had Blomkvist checked out first via a hacker for hire who researched his conviction and argues he was framed. She’s a bisexual with a penchant for piercings named Lisbeth (Noomi Rapace). She takes an interest in Blomkvist’s work and follows his progress remotely. She’s got troubles of her own, though. Despite being 24, her wealth is held in trust and the lawyer-type who controls the purse strings wants sexual favors from her in return. She also happens to be crazy, as she proves when she pays him back for how he treats her.

Lawyer and Lisbeth

You'll get yours, buddy. Just wait.

After pouring through police reports, some personal effects and lots and lots and lots of photos (think Russell Crowe’s character in American Gangster), Blomkvist starts to get somewhere, particularly with Lisbeth’s help. Together they figure out that the missing Harriet discovered a certain disturbing pattern, one which doesn’t reflect well on someone within the Vanger family.
It’s a little convoluted, but to say more would give too much away (honest). It’s really not hard to follow, though, even having to read the subtitles. And the suspense translates well.
The only disappointment is that the resolution is a little shallow, given that the police detective who worked the Harriet Vanger case says he’s obsessed over it for 40 years. If so, he kinda missed an obvious lead, which Lisbeth comes up with in a matter of a few weeks – and it’s one which, in a way, kind of makes the entire plot unnecessary, even if it is fairly entertaining.

Ferrum Vir II

Wednesday, May 12th, 2010

Iron Man 2

Now with more iron. And a rail gun.

So, obviously the big news at the box office is Iron Man 2, which brought in a cool $133.6 million over the weekend, more or less kicking off the official summer blockbuster season. Unless you count Clash of the Titans as doing that. Or unless you believe it can’t start until Memorial Day. Either way, there are some big names right around the corner: Gladiator 2 Robin Hood May 14, MacGuyver MacGruber and the new Shrek May 21, Sex and the City (2, ostensibly) May 27, and Prince of Persia: Sands of Time May 28. And that’s just this month.

  Both called the Golden Rock, but not the same.

Both golden rocks, but not the same.

Meanwhile this has been a hot week for local film news as well. Of course, there was the announcement of the lineup for the Fourth Annual Little Rock Film Festival last night at the Clinton School of Public Service. Looks like things kick off with Winter’s Bone, directed by Debra Granik. Along with the slate of narrative features, documentaries and shorts, there’s a new competition this year for a $10,000 cash prize, The Best Southern Film Award given by Little Rock’s very own Southern literary and culture magazine, the Oxford American.

Khaaaaan

Order before July 13.

Also kicking off this week were a couple of movie series worth checking out. Over at Market Street Cinema, in conjunction with The Dave Elswick Show on KARN News Radio 102.9FM /920AM, they’re presenting a series of classic films (some more so than others). First up was Mr. Smith Goes to Washington. The remaining schedule looks like this:
June 8: North by Northwest
July 13: Star Trek: The Wrath of Khan (!)
Aug 10: Shane
Sept 14: Top Gun
Oct 12: Friday the 13th
Nov 9: The Godfather
Dec 14: White Christmas

Not coincidentally, all those dates are the second Tuesday of every month. Showtime is 7 p.m.; tickets are $5 each. Children under 12 are admitted for free.

Drive-In

Like this. Except integrated.

For the retro experience, consider heading over to the Arkansas Flag and Banner building on the second and fourth Saturday of each month now through July to check out the Dreamland Drive-In. Complete with cartoon shorts, news reels and a feature-length movie, the experience is designed to take you back. Or, if you’re like me, to see how people lived way back when, before the cineplex. Schedule looks like this:
May 22- Reefer Madness/Sex Madness
June 12- Night of the Living Dead
June 26- The Outlaw
June 10- The Little Princess (family night)
July 24- The Fast and The Furious
Gates open at 7:30pm and the movies will start at sunset. Concessions of beer, soft drinks, hot dogs, and more will be available for purchase. Admission is $20 a car (pile in to save) or $5 person for walk ups. Proceeds go toward the Dreamland Ballroom renovation project, which is an effort to restore and preserve the historic Ninth Street venue.

Bad Hair

The hair is somewhere in the middle.

Lastly, in Netflix news, I gotta say I’ve been slacking. I got Frost/Nixon and Pandorum and have sat on the forever. Besides Avatar and Sherlock Holmes, I hadn’t updated my queue in ages. But for this week I’m thinking Daybreakers and Legion, two flicks I never made it to the theater to see. I know, it’s very angels and demons… and I don’t mean the Dan Brown adaptation where Tom Hanks has that atrocious hair. What I can’t wait for: The Road, which releases May 25.

The Dude abides

Thursday, February 4th, 2010

At Market Street Cinema.

The Dude

That’s right, next weekend is the Little Rock Big Lebowski Fest at Market Street, which is like, far out man.

There will be showings of The Big Lebowski” at 6 and 9 p.m. on Friday and Saturday, Feb. 12-13 and at 11:15 on Sunday and 6 on Monday. Tickets to all shows are $5.

It’s a chance to see the greatest cult movie of the past 15 years (at least) on the big screens with other fans of his Dudeness.

Best quote ever

Oh, and mark it 8. That is, mark down 8 p.m. Friday and Saturday night, because there will be trivia and costume contests (with prizes) to test your knowledge of El Duderino and pay homage to your favorite character.

Jesus

Jesus.

The Market Street Cinema
Market & Merrill Center
1521 Merrill Drive
Little Rock, AR. 72211
501-312-8900
www.marketstreetcinema.net

Sponsored by : Market Street Cinema, Little Rock Film Festival, Millennium Bowl

The movie runs 117 minutes and is rated R, if for no other reason than because “the f word” gets used 260 times throughout, or more than twice a minute on average.

The Stranger

Do you have to use so many cuss words?

Maybe that wouldn’t have been the case if Shakespeare had written the movie.


See it Sunday (or before)

Monday, December 7th, 2009
Kick me

Kick me

If you’ve picked up Sync this week, you’ve seen I had a chance to chat with Jason Gammel, a kickballer who, along with friend Kenny Reynolds, just finished a documentary called “See ya Sunday” about the Little Rock Kickball Association and his team’s first season as a part of it.
(The film premiers this weekend at Market Street Cinema; see the article or the LRKA website for details on show times.)
Toward the end of that conversation, I asked if I could check out the movie early for this blog, and while Gammel didn’t have a DVD screener handy, he did invite me to his North Little Rock studio to watch the final cut of the film on his computer, an offer I gladly accepted. I figured it would be like watching one of those special edition DVDs with directors’ commentary, only in this case they’d actually be in the room.
Well, it didn’t turn out quite like that. In fact, nobody said a word until after the film was over. But it was a great time nonetheless, and I count myself privileged to be the first person other than the filmmakers to see the finished work.
And about that work: If you’re one to think of documentaries as super serious endeavors that have to either deal with topics of the utmost stuffiness or be narrated by a man whose voice put you to sleep back in high school history class, well then think again.
This film is funny.
Sometimes the comedy is simply in enjoying the outrageous images on screen: a remote controlled car delivering drinks to players on the field or a player dressed as Jesus (with jersey on over his robe).
Other times, it’s thanks to the directors’ clever mix of interview and image, as when you hear a person saying a newcomer who knows nothing about LRKA could get the wrong impression as you see a man lifting up his shirt to bare a hairy chest and rub his nipples.
Then there’s footage of Gammel, himself, completely whiffing on a ball he’s promised to kick the you-know-what out of instead of bunt. That one almost got cut, he tells me afterward.
It’s not the only footage of Gammel in the movie, though, as he is a frequent interview subject throughout. Indeed, he told me after watching that there’s more of him in it than he realized. While that could come across to some as self indulgent, it seems to me to be more out of necessity. Half the focus of the film is about how his team, the Atomic Catsicles, joined the league, and telling that story without him being a part of it seems a tall order.
That story leads to a little confusion, though, because while most of the film follows their path through the spring 2007 season chronologically, some of the interviews, which were conducted after the season was over, reference the success the team has had “before” they actually have it.
Still, “See ya Sunday” is enough to keep a smile on your face for the better part of 60 minutes, even if it’s not all laughs. The founding of the league in particular is a story more poignant than playful.
For those who don’t know about that story or how the league operates or the good work it does, the film should prove informative. For those who do but aren’t part of the LRKA (like me), it’s still amusing. And for kickballers, well, it should go without saying that the film is a must see.